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Fantastic
Another great book from James Rollins
Rockin and Rollin adventure

Good for Carroll Fans
Exceptional!Is there anyone out there that knows what the name of the writing style used by Mr. Carroll. For instance his characters are telling a story to someone small Mr. Carroll aims his text at a small animal. The small animal answers back in small type. When someone is running and talking, there are long drawn out sentences.
Content and presentation are excellent.Joel Birenbaum, president of the Lewis Carroll Society of North America


Personal growth from hardshipThe book is extremely well-written and vivid, with great attention to physical and emotional detail. The story moves quickly (over 30 years in 350 pages), with its main focus how the 27-months in the institution affected Mindy's life. However, the book also details Mindy's journey to understand her life, the world around her, her family, and how to create meaning from experience, going beyond "life inside".
I highly recommend this book.
a brilliant woman
Path From Hellish Adolescence to Creative, Joyous AdulthoodReaders who will particularly appreciate this book include lovers of well-wrought prose, and people who feel impaired by something in their past, and cautiously optimistic about their chances of getting over it and/or growing from it.


A fantastic guidance tool!
A Glittering Treasury of Wisdom and InsightThe authors, writing with open hearts and incisive intellect, have created a magnificent work: one that honors the riches of the past and distills them into a guiding vision for the future.
Judith Pennington, author of The Voice of the Soul:
A Journey into Wisdom and the Physics of God
A wholesome, spiritual, and life-affirming treatise

An invaluable resource for personal medical informational.
"I plan to use it for my family's medical records!"
"It's just the right size!"

fun stuff
Good as usual
Sayoko is back and more jealous than ever!

From JAMA (Journal of the American Medical Association)JAMA, July 2, 2003
The Rest of the Lewis and Clark Story
A Modern ClassicI have only three criticisms of the book. First, some of the expressions may be a little too ecclectic for a non-medical person or the person who reads the book 100 years from now. Examples are the referring to phlebotomists as "vampires" and his reference to Pompey being born at 3 or 4 AM. Second, I am curious as to why Peck did not cover the Lewis & Clark's medical study done during the winter spent near St. Louis. Dr. Chuinard covered this extensively, but Dr. Peck does not mention it. Third, I disagree with the conclusion that Lewis committed suicide. Perhaps it is a matter of denial, but there are too many suspicious factors for me to conclude that Lewis killed himself.
When I picked this book up, my most pressing question about the author was regarding the way in which he dealt with Dr. Benjamin Rush. I have found (in 20 years of medical experience) that it is hard to judge the quality of care rendered a few years ago, and that 200 years is a nearly impossible breach of time. Dr. Peck has dealt with Dr. Rush honestly, and does not judge him by today's standard of care. Dr. Chuinard was too critical of Dr. Rush, and Dr. Peck has helped clear Dr. Rush's reputation: Dr. Rush was one of the soundest physicians that America would know before 1900. Dr. Rush helped bring the dawn from the "Dark Ages" of medicine.
Ambrose and Peck are the authors that every student of the Corps of Discovery should start with. Thank you, Dr. Peck.


Best book I've read on motherhood yetI also think this would be a great book for any young woman who wants to "have it all" to read. It really does give a realistic picture of both worlds, work and home, and helps you think think creatively, and sensibly (love how Lewis, before she got pregnant, thought that the first year of her baby's life would be a great time to sail around the world!). Yes, combining motherhood and career can be done, but as these women show, you've got to be creative, you've got to be true to your instincts, and you shouldn't give a hoot about whether you've got a glamorous enough self-description to impress people at cocktail parties!
If you're a new mom and an old "professional", read this!Ms. Lewis has a great writing style...easy to read with thoughtful stories. I stay up late at night (or get up before the baby wakes up) just to get another chapter read.
An excellent book for mothers struggling to "do it all".

Yagyu Retsudo renews the quest to kill Ogami Itto & Daigoro(64) "The Moon in the East, the Sun in the West" has Retsudo ruminating on how he has sent all of his legitimate sons to be slaughtered by Ogami Itto. But the old man has an illegitimate son and daughter, and horrible plans for them both.
(65) "'Marohoshi' Mamesho" is another one of the fascinating characters created by Kazuo Koike and Goseki Kojima. This time around the title character is an old policeman from the capital on the verge of retirement who stumbles across Ogami Itto being commissioned for his next act of assassination. "Marohoshi" has spent his life protecting people and he is not going to let this ronin continue on the assassin's road.
(66) "Spoiling Daigoro" is an offbeat story where the family that hires Ogami Itto persuades him to let Daigoro stay with them while he goes off to do his job. They have a son who is a coward and a weakling with no friends, and the boy's father thinks that having Daigoro around might be good for Suzunosuke. Ogami Itto agrees and thinks go well for a while, but Suzunosuke soon grows tired of hearing his parents praise Daigoro day and night.
(67) "The Hojiro Yaguy" finds Retsudo's illegitimate son planning on using poison darts that can stop a charging horse to slay Lone Wolf. It looks like there is no way on earth Ogami Itto can escape, but, of course, he always has something up his sleeve. Warning: The ending of this one is unexpectedly brutual and shocking.
(68) "The Bird Catchers," is another episode where Lone Wolf and Cub are spectators for the most part as they come across a group of female falconers preserving a dying way of life. But what makes this tale of some significance, especially as the last one in this volume, is that in the eyes of his son, it seems Ogami Itto might have finally gone too far.
"The Moon in the East, the Sun in the West" is another superb collection of stories in the Lone Wolf & Cub saga. Koike and Kojima still manage to provide a new twist and turn in every volume while stringing us out as long as possible with both the short term mystery of the Yagyu letter and the long term quest of Ogami Itto to get his vengeance on the entire Yagyu clan. I read one episode a night right before bed and am almost always surprised to see what new direction each night's story might take. This has to be one of the ten greatest comic epics of all time.
Ogami Itto is hired for several intriquing assassinations(59) "Nameless, Penniless, Lifeless" is one of the most disturbing stories in the Lone Wolf and Cub saga. It begins with a woman putting on a sex show for peasants. But what is even more shocking is that the woman has lost her mind and that her husband, whose face is half scared by terrible burns, is the one who talks her into her displays. There is more here than meets the eye, as is often the case in these stories, and the way in which the truth is revealed might remind you of part of Shakespeare's "Hamlet."
(60) "Body Check" is another one of those tales in which Ogami Itto has to use his brains to put himself in a position to use his sword for his next assassination.
(61) "Shattered Stones" begins with one of the most different ways that Ogami Itto has met someone who wanted to hire him for an assassination. On top of that the rules of the assassination are quite different (again, I am reminded of a Western parallel in the novel "Sophie's Choice").
(62) "A Promise of Potatoes" is an amusing little change of pace story for this series. Daigoro is off by himself again, being beaten up by a group of kids, when he is rescued by a con artist who teaches the boy to sit by a bowl looking pitiful as a way of making money. But where there is Cub can Lone Wolf be far behind...
(63) "Wife Killer" is a wonderfully ironic title, which we learn is used to describe somebody who gives away the tricks of magicians, who are known as "hand wives." Noronji Hoya, the Princess of Magicians, who has been using a delighted Daigoro as her "assistant," is about the encounter the "wife killer," an old saki-sotted magician who travels with two thugs who extort money from magicians: pay up or have your secrets revealed. But Noronji Hoya has a better proposition: she will perform a trick and if the old man can reveal her secret she will kill herself; if not, then she will take the old man's eyes.
Kazuo Koike and Goseki Kojima are back to telling tales in which Ogami Itto is more often than not more of a spectator to the action in which other characters carry the stories. One of the testaments to the greatness of this manga epic is that the title character can be almost incidental to the story and it is still completely riveting. Here we are, not even halfway through this saga, and they are still coming up with new and intriguing variations on the basic themes they established early on. The fact that they can maintain this high level certainly justifies the exalted status Lone Wolf & Cub has in the international world of comics.
At long last, Ogami Itto gets emotional over Daigoro(55) "Talisman of Hades" finds Ogami Itto is now putting up pictures of a baby cart where once he had pasted the talismans of meifunado to invite clients of death and assassination. A group of young students on their way to an academy stumble upon the mystery of the signs and when they see the strange ronin slay a "priest" (another Yagyu assassin in disguise of course), they decide they must intervene, forcing Lone Wolf to teach them a valuable lesson.
(56) "Ailing Star" has Daigoro finding a place to stay with an old granny who lives under a rotted bridge in danger of collapse. The locals keep trying to convince the old lady to leave, but she refuses. "Ailing Star" forms an interesting counterpart to "Talisman of Hades" as Daigoro has his own little lesson to impart.
(57) "Thirteen Strings" is an 118-page story where Koike and Kojima come up with their own version of a Kurosawa film experience (the rain during the last acts of the story is a clue). When we come to end of this epic tale, surely "Thirteen Strings" will be one of the most memorable episodes. A runaway horse is about to trample a child in the road when Ogami Itto intervenes. The horsewoman turns out to be the Lady Kanae, Daughter of the Go-Jodai of Odawara Han, and a spoiled brat who fancies herself a samurai. Ogami also learns of a larger conflict between the Go-Jodai and the farmers. Drought has blighted the harvest for four years and the Go-Jodai has tightened the screws on the farmers, who "hire" Ogami to attend a meeting between the two sides (because if anything happens to Chosuke, the leader of the farmers, Lone Wolf will bring word back to the farmers). Go-Jodai has his own agenda for implementing fundamental agricultural reform. Meanwhile, his headstrong daughter seeks revenge on the ronin who has insulted her. But then the rains bring a sudden flood that changes absolutely everything. This is a memorable story of surprising depth, showing that Koike and Kojima are absolute masters of their craft.
(58) "A Poem for the Grave" has Ogami Itto seeking help in finding the secret of the Yagyu letter. This turns into another assassination job, which results in an encounter with another honorable soul who seeks to turn Lone Wolf from the Assassin's Road. The question is whether things might be different this time because of Ogami Itto's separation from Diagoro.
I am in awe of Koike and Kojima maintain this level of excellence through a story that is not even halfway over by this point in the telling of the tale. I continue to savor one story each night at bedtime so that I can think about how it fits into the big picture and the ebb and flow of the story. An absolute masterpiece, not just as a comic book, but as an epic narrative.


"If you meet the Buddha, kill the Buddha."Because I am also reading the Blade of the Immortal series, there is a natural tendency to compare these to manga, which are both similar, and quite different. Kazuo Koike is perhaps the more inventive writer. Since thus far the Lone Wolf series lacks the grand theme of revenge that knits Hiroaki Samura's work together, the Lone Wolf plots are limited to the individual stories. This is not a flaw at all, just an explanation of one of the key differences. Koike is a master of minimalist story telling, ironic devices, and plots that take surprising turns when least expected.
Both series have more than their fair share of violence, although Blade of the Immortal stands out for its depictions of fighting and dismemberment. Lone Wolf's violence is sudden and swift - less choreographed. Goseki Kojima, the artist also has a strong sense of the sweep and motion of a scene, while Samura's clean, balanced graphics produce a lighter, less congested style. Of course, the fact that Lone Wolf's page size is half that of Blade of the Immortal makes direct comparison more difficult.
There are several changes between the stories of volume one of this series and this second volume. For one thing, the tales are twice as long, allowing for better building of tension and plot, as well as more depictions of life in the world of Edo-period Japan. In addition, Daigoro, Lone Wolf's son (the cub of the series title) gets much better parts than he does in the first volume. He is no longer just a plot device, but a living character. Finally, there is an inner sense of the 'romance' and tragedy of a ronin seeking a life of honor.
That last two stories, 'The Gateless Barrier,' and 'Winter Flower' are perfect examples of the breadth of Koike's talent. Both are stories of murders that must be done, but one is a cautionary Buddhist tale, and the other is a finely honed recreation of the classic forms of Japanese tragic drama. Completely different from each other they are two strong arguments for pursuing this series.
Lone Wolf and Cub continue walking the Assassin's RoadInstead, Lone Wolf continues to work as a hired assassin in four of these five stories. The change of pace tale is (12) "Tragic O-Sue," where it is actually young Diagoro who causes trouble; but even then everyone assumes this is just another one of those convoluted ploys used by Lone Wolf to assassin his impervious victim. Diagoro is certainly up to more in that episode in all the others to this point combined and I find some of it farfetched, but I also appreciate the twist on the standard story line.
There are subtler twists in the other stories from writer Kazuo Koike and artist Goseki Kojima as well as the Lone Wolf continues to earn his pay. In (10) "Red Cat" we see the familiar ploy of Ogami Itto allowing himself to be captured to gain access to his target, yet there is still a surprise ending. Then in (11) "The Coming of the Cold" finds the assassin acting in concert with others rather than going it alone to achieve his goal. I know (13) "The Gateless Barrier" is the key story in this volume, with its introspective look into the psyche of the main character, but once again the best story is the last one in the volume, (14) "Winter Flower."
Much is made of the cinematic artwork of Goseki Kojima, which makes a lot of sense because "Winter Flower" looks like an illustrated movie. In a brothel a samurai is killed while making love to a prostitute, while another prostitute commits seppuku immediately afterwards. The official investigating the deaths is troubled by what he finds, especially since it is clear the second prostitute was the daughter of a samurai, who allowed herself to live a degrading life and then killed herself. The reader knows who can make the connection between the two incidents, but the why remains the big mystery. I even appreciate the irony that this story, the best in the series to this point in the saga, is probably the one in which the Lone Wolf appears the least. It is tempting to read more than one story a night, but the road is long and patience is a necessity.
Following the Demon Road
After I read 'Amazonia' I put James Rollins on my must read list. I am so glad I did. In 'Ice Hunt' he takes adventure to a new level. The book's intense, the main subject very interesting (cryopreservation), and it reads like a combination of 007, Indiana Jones, and Dirk Pitt. A well rounded--and researched--adventure sure to please anyone with a taste for quality adventure.
I have to agree with the Amazon reviewer, though. The cover art gives it a somewhat hokey look (mass market?).
Most highly recommended.